![]() ![]() What I also love about this book is that his photographs are facsimiles- seen in their original layout style- along with text from whichever magazine they were originally in- so you get to see how the shots were actually seen by readers, interacting with type as part of a piece of graphic design, providing an interesting insight into the evolution of magazine design through the decades As a boy, Newton wandered the streets of a bohemian 30’s Berlin with a camera, and you can see that the things seen by the boy had an influence on the man.Īnd speaking of stories, this book is full of them: A James Bond themed shoot that actually features Ian Fleming – a strange JG ballard “Crash” inspired shoot in which models pose with crash test dummies and l mobility aids become fetishized – incredible cinematic vistas in which models are posed to play out scenes from beautiful films that don’t exist- “extreme fashion” shoots in which you’re not sure if you’re looking at a model or a mannequin and magnificent, powerful shots in which models pose with packs of barking dogs and rearing horses. Newton was often accused of objectifying women via exploitative imagery, but to me his work is more style than exploitation- it’s all about strong tall women in positions of power over men – there is a strong streak of symbolism and fetishistic imagery in a lot of his projects, but in my opinion he always manages to keep it beautiful as opposed to uncomfortable in any story he is telling- compared to modern day fashion photography it’s pretty tame. It brings together a mind-blowing body of iconic work, and it’s great to see how his style evolves as the years advance- from simpler “classic” fashion photography shots to amazing spreads where his shoots become the stage for strange narratives to be played out.įor me, Helmut Newton’s work captures a “golden age” of shamelessly sexy and creative fashion photography, and is a reflection of the evolving tastes and liberated outlook of society itself at the time – I love the decadent, cinematic disco grandeur that his work reflected in the 70’s and 80’s- you can feel the joy in every frame. My wife bought me the book as a birthday present over 15 years ago. A man whose work constantly pushed boundaries and arguably set the stage for contemporary fashion photography as we know it today. Helmut Newton (1920-2004) was a Titan of fashion photography. It’s a big book, running to 543 pages, filled with facsimiles of magazine spreads from a number of decades that combine to give a good insight into his style. During this period, in Paris, he also began his partnership with fashion legends such as Yves Saint Laurent and Karl Lagerfeld, for whom he would create some of his most daring and sensual shots.This piece is all about a photography book that I love: “Helmut Newton- Pages from the glossies“ which focuses on his magazine work from 1956 to 1998. ![]() It was the beginning of a career in the fashion world that would explode after his return to Europe in the early 1960s, thanks to the collaborations with Queen magazine and the French editions of Vogue and Elle. In 1956, working with the name Helmut Newton, he began collaborating with Henry Talbot in his studio specialized in fashion advertising and got his first works with Vogue Australia and Vogue UK. ![]() Here he joined the army where he met his future wife, June Browne, his beloved muse who was also a photographer under the pseudonym of Alice Springs. In the late 1930s, due to the racial laws, he left Germany and, after a period in China, moved to Australia in 1940. Helmut Neustädter, born into a wealthy Jewish family in Berlin, began experimenting with the art of photography at the age of 16 in the studio of photographer Yva. ![]()
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